Rob Hope

I’ve always wanted to write a full symphony. I like the structures, I like the idea of having to compose for such a large group of instruments, and I like the flexibility I get beyond my more guitar based influences, although I also enjoy writing songs in that mode. So one day I asked ChatGPT to describe for me an example structure for a Baroque style symphony. That outline led to my most recent work.

There were song structures I’d never heard of, tempos I’d never composed in, time signatures I’d never thought to attempt despite my foray into odd meter on nearly every album I’ve published. Any other time I’ve tried to start an idea like this I’ve experienced writer’s block trying to come up with compelling themes, especially considering I didn’t quite understand how to use themes in classical music in the first place. But I recalled a simple bit of melody from Servings Of Sadness that had come to me as I sang it to myself while making lunch, and decided if it was compelling enough to be sung, it would be a compelling enough start. That six note motif became the Motto, the base, for the set of themes I crafted for my symphony, including a theme each for the two protagonists, a Love Theme, a Battle theme, and more.

I found many of the structures limiting at first; fugues in particular with their predefined key changes were difficult. On occasion I would get stuck, and when I couldn’t get myself out, I’d take some advice from ChatGPT on potential solutions. Eventually, the story became evident: two young men, friends in fact, fall for the same young woman in a Renaissance era city filled with festivals and joy. The city itself is a character, an observer, to a tragic tale of love and loss.

Three concertos and an orchestral suite later, A Shattered Trinity is born.

You can learn more about this album here.

Available on Spotify, YouTube, and Amazon Music.